{"created":"2023-06-19T11:34:51.016827+00:00","id":3477,"links":{},"metadata":{"_buckets":{"deposit":"7ffeef03-751e-44b1-b6c0-1b15c36fdf56"},"_deposit":{"created_by":17,"id":"3477","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"3477"},"status":"published"},"_oai":{"id":"oai:kyoritsu.repo.nii.ac.jp:00003477","sets":["133:276:145:321"]},"author_link":["12697"],"control_number":"3477","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-02","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"11","bibliographicPageStart":"3","bibliographicVolumeNumber":"64","bibliographic_titles":[{"bibliographic_title":"共立女子短期大学生活科学科紀要"},{"bibliographic_title":"Annual bulletin department of the science of living","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"現代のメディアアートの源流ともいえる1910年代以降のキネティックアートは，動きや時間を造形要素として取り入れた作品ナウム・ガボに代表されるだろう。動きがメディアとなったキネティックアートは現代美術における環境，インターフェース，インタラクティビティへの萌芽となる。当時の科学技術や理論の影響を受けたキネティックアートのコンセプトは，構成主義からバウハウスへ，そして戦後の美術運動の史実を俯瞰するうえでも意義深い。彫刻家である兄，アントニー・ペヴスナーとともに確立していった構成主義の理論と造形表現について，20世紀以降のアート＆デザインにおける意義を考察する。","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"三井, 直樹","creatorNameLang":"ja"},{"creatorName":"ミツイ, ナオキ","creatorNameLang":"ja-Kana"},{"creatorName":"Mitsui, Naoki","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"12697","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-03-09"}],"displaytype":"detail","filename":"共立女子短期大学生活科学科紀要64_1mitsui.pdf","filesize":[{"value":"2.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"共立女子短期大学生活科学科紀要64_1mitsui","url":"https://kyoritsu.repo.nii.ac.jp/record/3477/files/共立女子短期大学生活科学科紀要64_1mitsui.pdf"},"version_id":"f6d5e5f8-5cb5-4200-bf7f-c7760f664dc2"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ナウム・ガボ","subitem_subject_scheme":"Other"},{"subitem_subject":"モホイ= ナジ","subitem_subject_scheme":"Other"},{"subitem_subject":"キネティックアート","subitem_subject_scheme":"Other"},{"subitem_subject":"構成主義","subitem_subject_scheme":"Other"},{"subitem_subject":"時間と空間","subitem_subject_scheme":"Other"},{"subitem_subject":"Naum Gabo","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Moholy-Nagy","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"kinetic art","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Constructivism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"space and time","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ナウム・ガボのKinetic Constructionとキネティックアート","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ナウム・ガボのKinetic Constructionとキネティックアート","subitem_title_language":"ja"},{"subitem_title":"Naum Gabo’s Kinetic Construction and Kinetic Art","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["321"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2021-03-09"},"publish_date":"2021-03-09","publish_status":"0","recid":"3477","relation_version_is_last":true,"title":["ナウム・ガボのKinetic Constructionとキネティックアート"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-09-15T02:56:47.855112+00:00"}