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共立女子大学博物館蔵「花下遊楽図屏風」について : 菱川師宣（菱川派）工房の一様相
https://kyoritsu.repo.nii.ac.jp/records/3572
https://kyoritsu.repo.nii.ac.jp/records/3572ccc3c252-c667-4119-ab3c-42988c83836b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
博物館年報・紀要5_4kondo (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2022-04-14 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 共立女子大学博物館蔵「花下遊楽図屏風」について : 菱川師宣（菱川派）工房の一様相 | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Study on A Folding Screens of Merry-making under Blossoms（kaka yūraku) by Kyoritsu Women’s University Museum : An analysis of the Workshop of Hishikawa Moronobu（Hishikawa School） | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 著者 |
近藤, 壮
× 近藤, 壮
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | In this paper, I have attempted to examine the A Folding Screens of Merry-making under Blossoms（kaka yūraku) in the collection of Kyoritsu Women’s University Museum, what kind of work it is, its outline, the style of painting, the background of its production, and the assumption of the client. First of all, on the screen of the work, there are many inherited patterns and figures from the printed books, prints, and handwritten paintings of Hishikawa Moronobu, an Edo period ukiyo-e artist. By analyzing the coincidence of these patterns and figures, I concluded that the subject of this work is a depiction of Hanami (cherry blossom viewing) in Ueno and a genre scene in Yoshiwara. I also pointed out that the artist of this work was most likely Hishikawa Moronobu and his school of painters, and that this work shows an aspect of the Hishikawa School workshop after the death of Hishikawa Moronobu. Furthermore, by analyzing the information that can be read from the painting, I assumed that the order was placed by a wealthy man from a samurai family, especially one with strong feelings for Yoshiwara prostitutes. This is the "male gaze" toward women in the Edo period, and is also a part of the power structure in the Edo period. This work can be seen as a representation of this. | |||||||||||
| 書誌情報 |
共立女子大学博物館 年報/紀要 en : Kyoritsu Women's University Museum annual report & bulletin 巻 5, p. 37-46, 発行日 2022-03 |
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